Showing posts with label folk tales. Show all posts
Showing posts with label folk tales. Show all posts

Tuesday, July 26, 2016

Heartfelt Sounds by C.M. Estopare

Release date: July 9, 2016
Sub-genre:Coming of Age, Fairy Tales


About Heartfelt Sounds:



Orphaned Naia Belle is an apprentice songstress, attached for life to her silkhouse in the illustrious pleasure capital of Sorrel, Felicity. But as the dark clouds of war descend upon Felicity, Naia, ill-prepared and not yet fully trained, is forced from her home and into a nightmare she never imagined. 

Driven once more from the haven she finds, posing as a boy and conscripted into a foreign army, Naia struggles to remain hopeful in spite of the trials she faces. Then she discovers there are those who wish to reopen Heaven's Gate and allow titans to walk the mortal realms once more. Only one power can stop them. 

As her friends and allies fall around her, beset by sand wraiths and the soulless dead, with everything she loved now lost to her, Naia faces yet another challenge: the blackened plains of the Void, where she may learn the true power of her voice. A power the necromancers and titans would kill to stop


Excerpt:


  Deft fingers swim across thin silver strings.
I'm shaking—I can't perform like this.
Thick sandals slam onto the stage behind me. The dancers present themselves. I open my mouth as the dancers still behind me. They are statues. Dolls sprinkled in white beneath dimming candlelight. 
The stillness is a learned reaction. One given by time and misfortune.
I open my mouth. I sing.
“In this bitter world...”
Fans glide open with a snap of paper. My eyes stay to my hands and fingers as they sail over sixteen strings. As the long cherrywood body of the zither rocks beneath me, in time to the foot falls of the dancers. 
“...who can declare the difference between love and hate?”
The dancers still, their faces stoic. 
“In these mortal realms...”
I cast my gaze up to steal a look at our audience. Three women curve their legs beneath skirts which balloon out around them. They litter the carpet like fallen petals. They are not strangers, nor are they patrons.
A gray haired woman snaps her gaze from the dancers to me. Hard opal eyes narrow to slits. She raises a hand, her drop sleeve rises with her like the erratic tail of a ghost. A crooked finger frees itself from the long crimson sleeve. It points, squarely at me. 
Althea's eyes—they make me shiver.
I snap my gaze to my fingers. I breathe. I sing.
“...who can declare the difference between right and wrong?”
Feet shuffle as the dancers behind me glide into the next act. Fans disappear into the deep pockets of pastel colored drop sleeves. Lacy cloth draped upon the stage resemble wind and they shower themselves with it. The tissue-like fabric floats in the air around them as they make movements to hold the falling cloth there, suspended in midair. Floating about their persons.
Before they snap the cloth back with quick hands, sliding the cloth along the length of the stage as they jump and leap like tumbling winds. They form a line now, as rushing feet halt. They form a line, heads bowed to the front. 
I open my mouth.
“Someday, I would like to ask—”
Hands strike out—vipers reach for their prey. They strike at opposite intervals.
“'In this world, who writes the scrolls of our fates?'”
Arms move as waves that heave. The lead dancer raises her right arm to the sky, questioning the gods.
“Someday, I would like to ask—”
The leader falls. Arms forward, legs curved behind her. The dancers begin to vary in height, resembling the mortal who fights through trials. She comes from nothing. Gains strength from what the gods place before her. Trial after trial, failure after failure—she prevails. The final dancer raises her right arm in a straight arc—her body rises onto its toes. She has ascended.
“'When mortals dream, who plucks the strings of the ancient zither?'”
Hands soar across an ocean of silver strings.
As one simple pluck ends with a sharp twang.
As a string upon my precious zither rips from its wooden base.
My hands shake as I take both ends of the little silver string. I tie them together only for them to wind apart again.
Again and again and again.




About C. M. Estopare:




C.M. Estopare is a full-time author, avid yoga enthusiast, and veteran of the United States military. She is the author of Heartfelt Sounds, the first book in the up and coming World of Sorrel Series, as well as titles such as Afterlife and the soon to be published Kindred Souls Series. 


Wednesday, July 15, 2015

Guest post by Amy Kuivalainen: Urban Fantasy - what I know for sure

 Urban Fantasy - What I Know For Sure 



This year I have been lucky enough to publish my books Cry of the Firebird, an urban fantasy novel with heavy Nordic and Russian Fairytale influences and as of June The Eagle Key, an original fairy tale about a key that can open the heart of anything it touches.
I have written eight novels but I like to look at myself as just gaining momentum as a writer. Urban fantasy is my stomping ground and there are three things that I have discovered are true no matter how strange the story gets. 
     
1. Real life finds a way in

Speculative fiction writers are often met with confusion in certain writing circles. I know from personal experience when I have told people I write urban fantasy the response has been a cool, “Oh, you write all that paranormal stuff not actually about real life,” like somehow if you aren’t writing literature you aren’t capable of drawing on real experiences or human suffering. We get a glimpse at worlds that such people could never imagine or experience so we can smile politely and not take it too personally. It is true that Speculative Fiction writers get comfortable working side by side with monsters and magic but that doesn’t mean real life doesn’t wriggle its way in.
            As an urban fantasy writer I am constantly trying to find the balance between the real world and the supernatural demi-monde operating behind it. Sometimes adding the magical into the mundane is a planned action. Sometimes aspects of real life and experience bleed in unexpectedly.
            Being born in Australia but raised as a Finn I have some serious displacement issues. When I first started writing my Firebird Fairytales Trilogy I wanted a chance to explore the Finnish side of my heritage. What I didn’t realise until it was done was that I ended up exploring all of my displacement issues at the same time. My protagonist, Anya, is half Finnish, half Russian, raised on a farm that sits on the crossroads between Karelia and Russia as well as the Finnish and Russian Otherworld. That’s three layers of being neither one nor the other and fitting in nowhere. This hunger for belonging, of finding a family, plays a large role when trying to understand Anya’s desires and motivations. In exploring my own experiences it allowed me to add a personal depth to Anya’s character.  Don’t be fooled folks, pieces of you will always find ways in and it’s not a bad thing.

2. Research Properly 

The majority of the Firebird Fairytales Trilogy takes place in various parts of Europe, most of which I haven’t had the privilege of visiting. So I researched my butt off. Google Maps, street views, tourist websites, local restaurants closest to where my characters were staying, anything I could lay my hands on. Much of what I researched didn’t make it into the books but I needed to do it in order to get the vibe of the place. You have to be able to know the city the way your character knows the city. Writing fantasy means we can add in the weird but we need to be able to know where the good places are in order to do it convincingly.
            A good example of this is Ben Aaronovitch’s Peter Grant series. He knows London like the back of his hand and because of that he can write about the spirit, history and geography of the city with confidence. By the end of researching I could tell you all about the flora and fauna of Nordic forests, esoteric folklore, shamanic practices and where the best place to buy dumplings in Budapest.
            In the fantasy sections you can go as weird and wonderful as you like but when traipsing about reality stick to the facts because if you don’t you can make damn sure your readers will pull you up on it.
           
3. Focus on Your Vision

People will either get what you do or they won’t. Everyone has a niche that they are trying to carve out and luckily the world is big enough that hopefully you will find readers who like that niche too. In my days of trying to get Cry of the Firebird traditionally published I often heard the same story of “we like it but can you write it for YA? YA is selling really well right now” or “your references are really obscure.” When all was said and done it basically boiled down to my marketability. That’s okay, the traditional publishers are a business and they have to weigh up the risk. Did it mean I was going to rewrite and compromise my whole vision because I wasn’t appealing to the Twilight crowd? God no and as a writer you shouldn’t either. My journey to get published was not the one I had first imagined but I can still hold my paperback every night in my hands and be proud of it. I’m finding more readers every day and the feedback I hear the most is how much they like the obscure references because it’s opened them up to myths and fairytales they never knew existed.

            Stay true to your story, don’t compromise and you will end up with something unique that readers will enjoy and you can be proud of.  


About Amy Kuivalainen:



I am a Finnish Australian writer that is obsessed with magical wardrobes, doors, auroras and burial mounds that might offer me a way into another realm. Until then, I will write about fairytales, monsters, magic and mythology because that's the next best thing. I am the proud author of CRY OF THE FIREBIRD (2014) and it's soon to be released sequel as well as THE EAGLE KEY (2015), an original fairytale for adults.

Find Amy on Facebook, Twitter and Amazon


                         




Wednesday, April 29, 2015

With Honor Intact (Tales from the Virtue Inn, Book 2) by Cat Amesbury

Release date: April 22, 2015
Subgenre: Urban fantasy, folk tales

About With Honor Intact:


When the Cat's away...

Honor Desry hadn't applied to be the Innkeeper of a sentient Inn with magical guests, but her sisters and her right-hand fox-man are making the job a lot sweeter. Unfortunately, the supreme Cat God has disappeared on Honor's watch, and Honor's old life is about to interfere with her new life in a major way.

The Naked Glassblowers Association has booked a holiday vacation at the Virtue Inn, and Honor's old boss and his partner are coming along to chaperone. Honor needs to find the Cat, keep the strange guests away from the supernatural guests, and somehow hold family and mind together.

But the Virtue Inn hasn't revealed all of its secrets and Honor will need to summon every last piece of her courage and cunning to save the day With Honor Intact.

Warning: Contains violence, profanity, innuendo, and homicidal cardigans.

Excerpt:

 

There were days when Honor missed her previous job wrangling naked Glassblowers and artisans as a general manager/accountant for a high-end art gallery.
There were days when Honor missed tax season.
There were also days when there wasn’t enough coffee in the universe.
 “How,” said Honor Desry, “does a house-sized cat disappear?”
A human-sized cat in a three-piece suit should have looked ridiculous. The High Priest of Baz looked intimidating as his whiskers sizzled in agitation. 
“It’s your Inn,” he hissed, tail fluffed to twice its normal width. “It has stolen her Godliness.”
To be honest, if the Inn had figured out some way to temporarily hide Her Godliness, patron deity of cats, Honor really wouldn’t have blamed it.
Honor half-wished it had found a way to disappear the High Priest, too.
“Are you accusing the Innkeeper of harming her honored Guest?”
While Honor normally appreciated Kay’s help, she wasn’t sure that sprouting five inch long claws from his fingers was going to soothe the situation.
Even as she was thinking of the words to take down the tension, she couldn’t help admiring Kay’s immaculate butler outfit and equally immaculate long, red hair. Honor had long since resigned herself to the impossibility of her attraction to him, but that didn’t mean she couldn’t look.
Unfortunately, she had forgotten that someone else was watching her.
The High Priest of Baz sniffed, most of the tension mysteriously leaving his body. “Your mating rituals are ridiculous. Mount him and be done with it. I will forgive your lack of attention.”
To Honor’s increasing horror and embarrassment, the High Priest’s squashed, furry face gave Honor a sympathetic look. “I understand the drive, but work out your yowling and get back to the most important business.”
Here he straightened, front paws behind his back.
“Which would be me.”

Amazon

 

About Cat Amesbury:

Cat Amesbury has lived in both the small town and the big city, but knows that all the best mysteries are hidden where you least expect them. Her thoughts and stories are drawn from a lifetime of looking underneath the rocks and inside the trees rather than where she was actually going.

Cat loves to talk to readers, either about her stories or about any of the things that she does that inspire her stories. Please feel free to contact her at her e-mail.

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