Thursday, February 25, 2021

Speculative Fiction Links of the Week for February 26, 2021

 


It's time for the latest weekly round-up of interesting links about speculative fiction from around the web, this week with the Baen's Bar controversy, the many iterations of Star Trek, WandaVision, Superman and Lois, Behind Her Eyes, Wrong Turn, season 2 of For All Mankind and much more.

Speculative fiction in general:
 
Comments on the Baen's Bar controversy:
 
 Film and TV:
 
Comments on Star Trek in general:
 
Comments on WandaVision and the Marvel Cinematic Universe in general (spoilers):
 
Comments on Superman and Lois
 
Comments on season 2 of For All Mankind:

Comments on Behind Her Eyes:
 
 
Awards:
 
Writing, publishing and promotion:

Interviews:

Reviews: 

Classics reviews:

Con and event reports:
 
Crowdfunding:
 
Science and technology:

Free online fiction:

Trailers and videos: 


Tuesday, February 23, 2021

Interview with Declan Conner, author of The Prepper's Son trilogy



It gives the Speculative Fiction Showcase great pleasure to interview Declan Conner, whose new release Earth's Fury: Our Last Thanksgiving (Book 1 of The Prepper's Son Trilogy) we feature on Sunday March 7, 2021.

The Prepper’s Son is described as a Post-Apocalyptic Dystopian trilogy. What does that mean to you?

Well, the genres defined on Amazon are, Apocalypse – Post-Apocalyptic, then Dystopian. The translation of Apocalypse is revelation. In this case, it is the revelation of a disaster to come, then the aftermath of that catastrophe. Dystopian is the alternate society that develops out of that disaster. The books in the trilogy are crafted as disaster thrillers each with three distinct goals outside of the stories as – The destruction - the division – and then the rebirth of society in the United States, albeit an alternative one.

The first book in the series, Earth's Fury: Our Last Thanksgiving, introduces us to your protagonist, Rob Bell. Who is he and why is he a reluctant survivalist?

Rob Bell is someone we can all identify with, having a sense of family loyalty, hard-working, striving to make the best of himself in life doing it his way, yet finding it hard given outside circumstances. In that respect we would all be reluctant survivalists drawn into situations that test our moral compass and sensibilities, having to act outside the norms of our nature to face our fears and to survive.

Why are contemporary readers gripped by stories of catastrophe and survival?

I can only answer for myself, and in my case, I only need to look at history for examples. Unlike science fiction and fantasy, catastrophic disasters in Earth’s past are there for all to see as scientific fact, from the flood, to the ice age, to continents moving, to asteroids causing destruction, and so on. Then we have threats that we face in the here and now, such as a nuclear holocaust, pandemics, EMP strikes, climate change, etc. So, the scenarios are plausible. During our history, societies have come and gone, and while most of us alive have no experience of such disasters and changes in society, we all have an instinct to survive. So, if others are the same as me, I guess there are lessons to be learned of how we would face such catastrophes and how society would react. I also think the recent pandemic has honed senses in this regard. I know that I look in my refrigerator, and I think to myself, one week and if the food supply chain is broken, what then?

When a natural disaster changes the landscape of the US for ever, Rob faces a journey fraught with unimaginable danger. How did you go about imagining and evoking that world?

For me it had to be plausible, and I didn’t want it to be one type of disaster affecting a small territory. It all started with a map I found on the internet of the changes to the US territory in the event of extreme increased sea levels. Then I found a recent NASA article that the sun goes through eleven-year cycles of solar storms. Added to that, scientists now say that solar flares not only cause EMPs, but the charged particles from such flares affect the mantle on Earth by disrupting the magnetic field, which leads to increased volcanic and earthquake activity. Taking that to its extreme, I imagined a world in which the entire tectonic plate system on Earth would be disrupted, with subductions to reduce areas of the land below sea level, and for new mountain ranges to be formed. The EMPs would destroy satellites for communication and the grid. Volcanic eruptions would darken the skies reducing temperatures and bring agriculture to a halt. Tsunamis of unimaginable levels would destroy civilisation along all coastlines. In effect, the territory would become an ashen landscape with populations displaced. I wanted the disaster to be of such immensity, that everything we take for granted, such as the internet, banking, shopping etc, would be destroyed, and how society would overcome that, in an attempt to rebuild society and an economy for who were left to survive from a level playing field, as everyone’s wealth would be lost. 

Rob is the (reluctant) hero. Tell us about Brogan, his antagonist. 

Brogan starts out as the head of security for the gated community where Rob lives. An officious character, and ex-army, he does everything by the book for the rules of life inside the community. Rob and Brogan have an instant dislike of each other. It is difficult for me to explain without giving away the story, but here goes. As the disaster unfolds, Brogan arranges for other guards to bring supplies to the gated community and he takes control of all aspects of life inside the community, leading to an Animal Farm type of existence. On a personal level, he lacks moral compass, which leads to tremendous animosity between them that follows both throughout.

The hero’s journey is an ancient trope dating back to Homer’s Odyssey and beyond. Like the Greek hero Odysseus returning to Ithaca, Rob has to return to his father’s bunker, a thousand-mile journey. Who is Rob’s father and what legacy does he leave his son? 

Rob has a love hate relationship with his dad, more from Rob’s misbelief as to his controlling ways when he was growing up after his mother and brother died in a bus wreck. His control was the reason Rob left home on the farm in Colorado to attend university in LA. Rob also wanted to get away from his dad’s obsession with prepping. His dad is rich and has built a bunker on his farm in a disused mine. As much as he hates his dad, he is his only blood kin and Rob longs for his dad to show affection. For all that Rob needs to go to the bunker to survive, it is somewhere he does not want to be. Their relationship is an interesting dynamic to witness as the story unfolds and with the legacy he leaves for his son, and not just in wealth terms after he succumbs to cancer.



In the second book of the trilogy, Secession: Last Fourth of July, Rob faces a new set of challenges, not least in the relationship with his father. How does he deal with those? 

Rob doesn’t deal at all well with his return to the bunker at his dad’s farm. I can’t give the story away, so again this is difficult. As I have said, he is not where he wants to be. Added to that, in view of experiences that have gone before, trust is a big issue and apart from Rosa, he becomes introvert, avoiding the others taking shelter in the bunker. His dad’s death is a big turning point for Rob for reasons best not explained as it would be a spoiler. 

Who is Rosa and what role does she play in the story?

Rosa is a strong character and just as important as Rob as the MC, as an integral part of the story as it develops. There is no need for her POV, as she is adequately fleshed out through the eyes of Rob. Rosa carries a secret from the first book until its revelation at the end of Secession in the form of a book with a brown paper cover that hides the title. Like most of us, we have books that inspire us, but this one is highly significant to the story and personal to her character.

Once again, Rob has to stand and fight, facing both old and new enemies. How has he changed since the first book and has he learned anything?

Rob could be described as naïve to start out with as to the ways of the world. He has awakenings or transformations in all three books as to his character when he realizes the need for change when faced with adversity of differing natures. Some are internal and some are forced on him by external events. So yes, he learns a lot about himself and he has to face his fears, truths, and especially his misbeliefs.



The third book is titled Invasion: Alliance of Nations and pits Rob and Rosa against his arch-nemesis Brogan, who has taken refuge in the Republic of New Mexico. How does Rob find himself drawn back into the conflict?

In book two, we see perspectives from differing POVs of emerging political leaders that clarify the governance of the divided territories that emerge from the aftermath of the catastrophe, and which are separated by race, religious, criminal, and political ideologies. In book three, Rob and Rosa are thrust into the cauldron of these political factions as impartial negotiators. Their involvement escalates when the territories are threatened by an outside invasion. It is during this time that Brogan has ingratiated himself with a criminal organisation that now governs one of the territories and leads their army on a mission in which there will be a final conflict with Rob, Rosa, and his best friend Tom.

You have written many short stories, and one, The End, or a New Dawn, reached the finals of a short story competition judged by Harper Collins editors and authors. What brought you to write a much longer work?

I’ve always had a love of short stories, though I always tried to stick to 5,000 words or so. I felt that I had to face the challenge of writing full-length stories that gave more time to develop characters that jump off the page. And the rest is history as they say.

What was your inspiration for the book?

My inspiration is multi-faceted. First, the political division, racial tension, and upheaval in the US seemed to me to be at a precipice, with secessions talked about in the media at one time. That got me to thinking, what if. I also had read two biographies. The first was Bolivar: American Liberator by Marie Arana, about the general who liberated a large tract of territory from the Spanish in South America. I enjoyed the dynamic between him and his lover, and the political intrigue. The second was Nzinga: African Warrior Queen by Moses L. Howard. She is an interesting historical figure, a strong woman who ruled Angola for forty years, fighting and negotiating with the Portuguese against colonialization and the slavery of her people. Her strength and negotiating skills were the inspiration for Rosa’s character. Finally, Game of Thrones was an inspiration, with the warring factions, and an alliance needing to be formed to defeat the outside threat. 

Do you have any favourite authors? 

Lee Child and Michael Connelly are my favourites.

How has the pandemic affected you as a writer, especially of thrillers and post-apocalyptic fiction?

Well, yes of course, not many haven’t been affected. I’ve been isolated for over a year now, so with time on my hands it helped me to outline and research the trilogy in depth, then to put my fingers on the keyboard to write almost 300,000 words over the three books in five months. I’m usually a one book a year author, so the pandemic has been beneficial for me in that regard. But I also think those of us that are isolated have more time to withdraw into ourselves and deliberate how worse it could get, and to consider scenarios.

What do you do in your spare time? Do you have any favourite TV shows, movies, or books? 

I don’t read fiction much these days for fear of subconsciously copying tracts, though I’ve had a lifetime of reading. I strive for originality in all my works, so that’s been a conscious decision. For favourite books, I think back to King Solomon’s Mines, though the film was terrible. It wasn’t that I read it, but our teacher read a chapter a day for us. He imagined the voices when it came to dialogue, and the voice he used for the narration taught me about how valuable it was to have voice in you writing. When I’m not writing, I play guitar and sing, at times performing for the local bar in the gated community where I live in Brazil. I’ve also taken to writing poems of late and posting them on Twitter or Facebook. As for television and films, I really haven’t had time to watch either to any degree, I’ve been so wrapped up in my writing.

Amazon

About Declan Conner:



Declan Conner lives something of a nomadic life, travelling and living between Portugal, the UK, and Brazil. Having written thrillers over the past ten years, he became fascinated with the political upheaval and divisions in the US. Not one to shirk from controversy, an alternative society along political ideological, religious, territorial, and racial lines began to ferment. Having taken a two-year sabbatical from writing, with the story he wanted to write buzzing around in his head, the pandemic lockdown spurred on the kernel of his idea of the new trilogy, until he felt compelled to start writing once more. After extensively reading books in the genre, research, and outlining, he put his fingers to the keyboard. To describe the trilogy in a nutshell, he fashioned each book in the disaster trilogy along the lines of - The Destruction -The Division - and the Rebirth of society and governance in the US. All of this is through the eyes of Rob Bell, a prepper’s son, and other major characters, with each book crafted as a thriller. Just now the e-books are available on preorder, with the print books ready and waiting for the e-books going live.

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Monday, February 22, 2021

Folk Songs for Trauma Surgeons by Keith Rosson

 

Release date: February 23, 2021
Subgenre: Short fiction collection, Magic realism
 

About Folksongs for Trauma Surgeons:

 

With Folk Songs for Trauma Surgeons, award-winning author Keith Rosson once again delves into notions of family, identity, indebtedness, loss, and hope, with the surefooted merging of literary fiction and magical realism he’s explored in previous novels. In “Dunsmuir,” a newly sober husband buys a hearse to help his wife spread her sister’s ashes, while “The Lesser Horsemen” illustrates what happens when God instructs the Four Horsemen of the Apocalypse to go on a team-building cruise as a way of boosting their frayed morale. In “Brad Benske and the Hand of Light,” an estranged husband seeks his wife’s whereabouts through a fortuneteller after she absconds with a cult, and the returning soldier in “Homecoming” navigates the strange and ghostly confines of his hometown, as well as the boundaries of his own grief. With grace, imagination, and a brazen gallows humor, Folk Songs for Trauma Surgeons merges the fantastic and the everyday, and includes new work as well as award-winning favorites.

 

Excerpt:

 

THE LESSER HORSEMEN

 

Call Him whatever you want: The Good Lord, Jehovah, Yahweh, The Beginning and The End, God; we loved Him and we feared Him, and perhaps it was intentional but when He was in human form, we were also a bit disgusted by Him. Disgusted because He seemed, in all honesty, like a cad. A scumbag. Seemed, in fact, to revel in it. To become so abjectly the type of man who sucked his teeth and followed with his small and shiny doll eyes as young girls passed by on the street, his hand in his pocket; the type who relieved himself at bus stops and shouldered old ladies aside for a better seat somewhere; a man who when in restaurants left very small tips, in coins, as some kind of statement. A man who stank of cheap cologne and had hair, probably, riding up his back in the shape of a Spanish moss.

Our palaver had long become toxic.

The handouts He gave us featured a smiling cruise ship amid a cobalt sea, a smiling sun perched above, and smiling clouds scattered around. There was even, I saw, a smiling seagull perched on the deck’s railing. He sold it to us as part vacation, part team-building exercise. He used those exact words. His office sat across the street from the methadone program they ran out of St. Joe’s, and you could see the clusters of addicts hanging out, bullshitting out front after they’d gotten their dose, people loose-limbed in the sun and happy now to be alive again.

It was a five-night, six-day cruise from Portland to Glacier Bay, Alaska, He said. “Real nice. All the amenities. Shuffleboard, Wi-Fi, breakfast buffet. They even got a little paintballing gallery below deck. You guys can get some of your aggressions out, shoot each other in the beanbags and whatnot.”

“This an optional trip?” I asked, and the Good Lord laughed.

Famine said, “Death isn’t coming, I take it.”

“Don’t worry about Death,” He said.

There were four of us, of course, but you’d never know it—Death for millennia now on his own trip, the three of us continually left in his wake.

War said, “Don’t worry about him? And that means what, exactly?” and the Good Lord fixed him with a warning look. Quick enough, but filled with that terrible distance that none of us, not even Death on his best day, could come close to matching.

He pointed a finger at the three of us. “Listen. Death isn’t the problem here, okay? You dicks got me?”

Was I pissed, hearing this? I mean, do I even have to say it? When had Death ever been a problem, right? No, the impetus was always on us, the fractured thirds. This trio of recalcitrance.

War couldn’t help himself; he snorted contemptuously, exhaled a cloud of anthrax that settled on his shoulders like dandruff.

The Good Lord popped a butterscotch candy into his mouth, cracked it like a femur between his teeth. He shook His head. “Nah, it’s you three I have issues with. The sniping, okay? The constant infighting. It showcases a serious lack of cohesion as a department, is what I’m saying. Even now? Handing Me this attitude? It’s bullcrap, is what. So here’s the deal: you go on the cruise, you eat some tacos, play some bocce ball, whatever. And do these team-building exercises. Learn to trust each other again. Talk it out. Because as it stands now, you’re just straight up screwing the brand, okay? You’ve become ineffective.”

“Except for Death,” Famine muttered, toeing the carpet with a duct-taped high top.

“You’re goddamn right except for Death!” the Good Lord roared, and slapped his desk hard enough to make his coffee cup jump. The addicts across the street, without knowing why, suddenly remembered pressing engagements and drifted away. All of them unanimously stricken with unease. This one little outburst and I could imagine all too well a mine collapse in some crumbling shithole town in Kentucky somewhere, a tsunami or mudslide enveloping some poor third-world enclave, thousands of bodies snuffed to lifelessness within moments. It wasn’t a heartlessness—you could say a lot of things about Him, but the guy felt everything very strongly, was seized at times with feelings—but there was, what seemed to me at least, an unawareness of environment or consequence that could sometimes be construed as cruel or uncaring.

Then again, he was the Divine Creator and I was but one quarter of the Great Cessation—and a low-ranking one at that—so what the hell did I know?

He said, “Enough about Death already,” glaring at us again while he sopped up his coffee spill with napkins. He ran a pudgy hand over the errant hairs on his dome and smoothed down his wrinkled tie. “Now I want you to get on that boat, and I want you to relax. Look at how pretty the water is and shit like that. But above all: Drop the attitude and learn to work together. Because if you don’t, what’s the saying? How’s the saying go?”

“We perish alone?” Famine offered weakly.

The Good Lord leveled a stubby finger at him. He smiled at us for the first time that day, showing rows of butter-colored teeth. “That’s it. Exactly. You work together or you perish the hell alone.”

 

•  •  •

 

We stepped outside as knives of sunlight winked off every glassed thing on the street. The stink of exhaust enveloped us. Sewage warming in the gutters brought out the scents of the human soufflé: piss, heated blacktop, burnt plastic.

Famine hiked his jeans up—we had our trappings, each of us, our strange cosmic shortcomings that kept us tethered here, not nearly human but certainly more than ideas, and Famine’s was, obviously, his constant hunger. Not so obvious was that he could never find a fucking belt that fit him. He took off down the avenue muttering something about an all-you-can-eat bouillabaisse shop on Mississippi, the cuffs of his pants scraping the ground, arms wrinkled and red at the elbows, striding along with one hand bunching the acid-washed fabric at his waist.

War folded his cruise handout and sighed, squinting at the empty street. “We leave in three hours? Man, He’s not dicking around.”

“He’s not known for that, is He?”

“True. Guess I better go grab my gear,” he said, and then paused. He seemed poised for some comradely dig, but we were long past it. Centuries, at least. “See you on the boat,” he managed.

The Good Lord certainly had a point. I could admit that. We’d long since become fractious, four different arrows arcing toward four different targets at four different times. No harmony, no shared intention. There had been a time when that was not the case, but now? Only Death was constant.

The Good Lord was staring at me through the window, his hands cinched over his little stovepot of a belly. He raised a hand and shooed me along, the look in his eyes absolutely flat, dead as deep space.

I went home to pack.

 

Meerkat Press | Amazon | Barnes & Noble

 

 

 

About Keith Rosson:

Keith Rosson is the author of the novels The Mercy of the Tide and Smoke City. His short fiction has appeared in Cream City Review, PANK, Redivider, December, and more. An advocate of both public libraries and non-ironic adulation of the cassette tape, he can be found at keithrosson.com.

 

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About Meerkat Press

 Meerkat Press is an independent publisher committed to finding and publishing exceptional, irresistible, unforgettable fiction. And despite the previous sentence, we frown on overuse of adjectives and adverbs in submissions. *smile*

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Thursday, February 18, 2021

Speculative Fiction Links of the Week for February 19, 2021

 


It's time for the latest weekly round-up of interesting links about speculative fiction from around the web, this week with a controversy about Baen's Bar, the many iterations of Star Trek, WandaVision and the Marvel Cinematic Universe in general, Space Sweepers, Willy's Wonderland, Sator, Charisma Carpenter's abuse allegations against Joss Whedon, Shelley Duval's abuse allegations against Stanley Kubrick, the Perseverance rover and its arrival on Mars and much more.

Speculative fiction in general:
 
Comments on the Baen's Bar controversy:
 
 Film and TV:
 
Comments on Star Trek in general:
 
Comments on WandaVision and the Marvel Cinematic Universe in general (spoilers):
 
Comments on Space Sweepers
 
Comments on Willy's Wonderland:

Comments on Sator:
 
Comments on the abuse allegations against Joss Whedon:
 
Comments on the abuse allegations of Shelley Duvall against Stanley Kubrick:
 
Awards:
 
Writing, publishing and promotion:

Interviews:

Reviews: 

Classics reviews:

Con and event reports:
 
Crowdfunding:
 
Science and technology:

Free online fiction:

Trailers and videos: