Showing posts with label 1920s. Show all posts
Showing posts with label 1920s. Show all posts

Wednesday, August 8, 2018

Virtue at Market Price (Empyreal Privateer, Book 1) by M.E. Meegs and E. Pluribus Van Slyke

Release date: August 1, 2018
Subgenre: Steampunk fantasy, Comedy

About Virtue at Market Price:

 

In April 1924, airship pirates descend on the luxury liner S.S. Paris and make off with twenty-odd female captives. When the various authorities appear powerless to act, one man steps forward, pledging himself to recover said booty and thereby render American womanhood secure.

Unfortunately for all concerned, that man is E. Pluribus Van Slyke….

Motivated by his twin appetites for personal enrichment and female companionship, this trans-oceanic con man and cashiered naval officer deftly persuades a succession of equally ignoble characters of his suitability for the task. Then, given command of a decrepit airship, Van Slyke heads into the empyrean with a crew of halfwits, misfits, and felons.

But this voyage into the unknown is doubly so, for it soon becomes obvious the pirates who raided the Paris descended from fictional skies. In this parallel world our would-be hero finds himself at the mercy of rum-running cutthroats and throat-cutting buccaneers. Will he survive his confrontation with the fastidious Jack Tigue, a pirate renowned for his tasteful wardrobe and his habit of eviscerating opponents? Not to mention the anachronistic Jean Lafitte and his diabolical manicure of torture?

Barely. But most dangerous of all is yet to come: Captain Bonnet, the mad pirate of Barbados. For on departing his company, Van Slyke finds himself betrothed to not one, not two, not three, but five of the Mortal Sins! 

 

Excerpt:

 

I could tell at once from the ugly look the bond broker gave me that I’d overplayed my hand. He sat just opposite, his malevolent mien mixing equal parts indignation and satisfaction: indignation at having been plucked, and satisfaction at having at last detected it. We were playing draw and I’d discarded two duds. When the dealer tossed me my replacements, I palmed a knave and replaced it with the queen of diamonds I’d held from the last hand. That gave me a sister pair with an ace high.

“Get up!” The wily jobber had come prepared. He produced a little revolver from an inside pocket and pointed it in the direction of my now palpitating heart. “He’s got a sixth card on him somewhere.”

By then it was stuffed deep between the seat cushions of the chair I’d only just vacated. But they were a thorough bunch. After having me undress, they tore apart a rather expensive suit. (On that point, at least, I was in luck—unlike the Parisian tailor still awaiting payment.) Then, in a matter of seconds, they dismantled what had seemed a quite solid piece of furniture. When the Texas cattle baron located the jack hiding amongst the upholstery, he announced the fact by calling for a rope.

Egotist that I am, I’d always harbored the expectation that I’d someday achieve some level of notoriety. But being the first man lynched aboard a steamship of the French Line wasn’t exactly what I’d had in mind. Fortunately, the wiser heads among the mob countered with a proposal to call the purser. Not so fortunately, they were quickly overruled by heads of even more colorful imagination than that of the Texan.

The debate turned now on a choice between two forms of punishment deemed more in keeping with the sea-voyage theme: keelhauling, or walking the plank. It was a lopsided vote. The fault lay with an English coal magnate who took a good deal of relish in explaining what exactly keelhauling entailed.

“A rope is brought under the beam of the ship. The victim’s tied to it and then drawn under the boat. There his body’s bashed against the hull by the swells, and then nearly torn in half crossing the keel! If he survives, he’s given another chance.”

“Gets let off?”

“No. Gets another chance to die! He’s sent down the opposite way, then back and forth until all that’s left tied to the rope is a pair of bloody arms!”

Cheers all around. Well, nearly so. For once in my life, I was struck dumb. By the time I’d prepared my rebuttal, my wrists had been bound with a length of cord and a napkin stuffed in my mouth.

Once we were out on deck—me in my union suit and nothing else—the logistical obstacles to their plan became readily apparent. The S.S. Paris was a modern luxury liner and the distance between the boat deck and the keel considerable. They’d already tied one end of a coil of rope to my ankle, but it was hardly likely to be long enough. And then came the not insignificant problem of how to get the rope under the keel in the first place. The coal magnate admitted his ignorance on this point.

So the plank it was. Aided by the light of a full moon, they located a gangway stowed among the air vents and dragged it out to between the davits of two of the lifeboats. It ran about twenty feet and they gradually slid one end out over the sea. When it began to tilt, three of the party’s heavier members got on to act as counterweights.

It seemed to me the joke had been taken far enough, so I spat out the gag. “I should have you know, protests will be made.”

“Not by you, they won’t.” Again, cheers all around.

“My wife, then.”

“Sounded to me like she’d be glad to be rid of you.”

 

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About M.E. Meegs:

M.E. Meegs began writing epic poetry while still in the cradle, though her first real recognition came only after the completion of her dramatic tragedy, Dolly’s Fourth, and Final, Crusade. Written when she was five, it chronicles the midnight adventure of a favorite doll, which ended sadly in the jaws of a neighbor’s mastiff.

She lives now—inasmuch as any pseudonym may be said to live—with a first-class typewriter and a middling husband, who will soon be in need of a food taster if he doesn’t begin showing a little more appreciation for her literary efforts.

A truly loving soul, she harbors neither children nor pets—fearing the temptation to make sacrifices of them to her tetchy muse might prove irresistible. She does, however, heartily enjoy correspondence.

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Wednesday, September 13, 2017

Tiff in Time (The Fae Killers, Book 1) by Jaxon Reed

Release date: September 12, 2017
Subgenre: Urban fantasy

About Tiff in Time:

 

In the beginning, God created people, angels, and fae. Creatures existing between the spiritual realm and the physical, fae scattered among parallel worlds spreading magic and chaos.

The Walker hunts fae, killing them, bringing them to justice. On occasion, he recruits followers. He found Tiff, an orphan, and raised her to be one of his best hunters. A skilled killer, she jumps into any timeline on any alternate, and seeks her prey.

A powerful artifact and a mysterious fae crop up in the Roaring Twenties, in Chicago. Tiff is on her way. But this time, after centuries of being hunted, the fae have other plans. . .

Excerpt:

 

The Walker strolled through a medieval seaside village. Death and destruction stretched all around. Most of the huts in the small settlement still smoked, recently destroyed by fire. All that remained smoldered in ashes and embers. The stench of burnt wood and cloth and flesh drifted through the air.
The tall, blond-haired man stepped over bodies, blood and entrails spread on the ground. Carrion circled the village, attracted to the scent of death on the wind.
He glanced at the sea, and noted Norse sails dipping below the horizon.
“Where are we, Cait?”
A female voice responded in his head.
“Northumbria circa A.D. 793, depending on the calendar. This alternate has a 98.8 percent resemblance to O-Earth.”
He nodded, and continued plodding forward, heading deeper into the destroyed village. He stopped when he heard a little girl crying.
The Walker altered course and approached the remains of a nearby home. A man and woman lay gutted on the ground near what had been the front door. Faces pale from lack of blood, their listless eyes stared into eternity.
A little girl, about two years old, sat between them crying. Her long golden hair fluttered softly in the gentle breeze, and her sparkling blue eyes were filled with tears. Her simple white dress showed dark red stains from her mother’s blood, where she had hugged the corpse.
His heart melted.
He kneeled down and pulled the girl close to his chest in a warm embrace. She buried her head in his tunic, sobbing uncontrollably.
She seemed so little, and frail.
“What’s her name, Cait?”
“Her parents named her Tyfainne. No connection to royalty. Her line will probably assume a geographic location for surname purposes.”
“Does she have any relatives nearby? Anybody who can take her in?”
“Her father’s family lives in a village nearby. But, by the standards you have programmed into me, they are not ‘good people.’”
He nodded, letting the information sink in as the little girl finally stopped crying. She shuddered, wiped her face, and looked up at him with those incredible eyes.
He gave a mental command, and the pocket on the side of his tunic filled with sugar cubes. He reached in and grabbed several, then held his hand near the girl, palm up and full of treats.
She tentatively reached out and grabbed one, looking up to see if her actions would be acceptable. He smiled at her warmly, and she popped a sugar cube in her mouth. Her eyes grew big in wonder at the taste. She grabbed the rest of them, shoving them in quickly, one by one.
“Okay, I think we’ll take this one. Leaving her here would condemn her to a miserable fate.”
The Computerized Artificial Intelligence Terminal neither agreed nor disagreed.
“Open a door, Cait. Let’s go home.”


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About Jaxon Reed:

Jaxon Reed is a science fiction and fantasy author. Amazon's digital imprint, Kindle Press, selected his book The Empathic Detective for publication through Kindle Scout. Recently the sequel, Ghostsuit, was also awarded a publishing contract through Kindle Scout. He is the author of Thieves & Wizards, an epic fantasy, and The Redwood Trilogy, a science fiction series. Jaxon is an Aggie, living in Texas on a ranch with his wife and boys, several cats, and one pound dog.